Posts with the “accessibility” tag

3 Episode Taste Test: Seitokai Yakuindomo

If ever there was a need to reiterate it: successful comedy hinges on the delivery. Seitokai Yakuindomo somehow doesn't understand this and after cramming joke after staid joke into an episode, it still comes across as bland and uninspired. All the constituent parts are there: the all-girls school recently turned co-ed, the straight-man protagonist, the overcompensating short girl; but none of them gel together. The first three episodes never break that threshold that turns a smirk into a laugh into a guffaw. Instead, predictability and tedium set in and what could have been a sterling comedy, pregnant with possibilities, falls flat and doesn't find the spark to differentiate it.

pixelated shots of sex toys and genitalia during the opening demonstrate the tawdriness the jokes aim for

Takatoshi joined Ousai Academy because it was close to his house. It is no ordinary school however, up until recently it was an all-girls school meaning the ratio of females to males is high and though Takatoshi didn't join to build a harem, other male students certainly have. On his first day he is accosted by the student council president, Shino, and forced to join the council as vice president and representative for the male student body. As well as the filthy mind of the president, he is joined by the ultra-rich Aria and the genius trapped in a child's body, Suzu in his daily duties involving an inordinate amount of paperwork as well as loafing around the council room during breaks.

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Javascriptery: Tabbed forms

Forms are perhaps the bane of web development for me; you can't get them to look good, you can't find a foolproof way to make them act well and lets not even start of trying to get them into a pacified state, free from the dangers of user input (surprise ending: form input will never be completely trustworthy). A lot of sites would appear to have aesthetically pleasing forms, however this is a careful ruse by them as they sidestep the problem of forms by having only one or two of them, and then they usually only have a few fields. The monstrosities I am required to deal with almost daily are things of grotesque beauty, veritable Rube Goldberg machines of complexity.

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