Stray god strut
A Noragami review
We’re told repeatedly that it’s not a tail: it’s Hiyori’s lifeline to her body. Even when she makes cat ears out of shampoo foam, definitely not a tail. It’s how the opening few episodes of Noragami (Stray God) go: what you, the audience, is thinking is not what it actually is. You might think given the episodic, borderline monster-of-the-week format that episodes one through five represent the entire series. They don’t. You might start to postulate how regalia are created once Yukine makes his entrance, going as far as to assume they’re the spirits of people who have committed suicide. They’re not.
Defying its own premise and the initial evidence presented, Noragami is another example of why you don’t bet against studio Bones. Sure you get the odd dud like Darker than Black: Ryuusei no Gemini or the recent Eureka Seven: AO, but then you get gems like Un-go and yes, Noragami. At only a single season long (thus far), it is the story of Hiyori’s near-death experience and her half-in half-out status in the spirit world that introduces her to the stray god Yato and, eventually, his regalia Yukine. More subtly it’s also a story of family, understanding and sacrifice.