There’s a fundamental problem with No Game No Life in that when the series isn’t revelling in the games that form the core of its mythos, it’s chronically dull. Like a lot of series this doesn’t become apparent until well into its run and for NGNL it’s the shift away from minute-to-minute, seat-of-your-pants gaming pugilism towards the “long game” that starts being played.

Rewind though. Young man and even younger girl get transported to a fantasy realm of elves and angels where every conflict is resolved with a game. These games cover the spectrum from cards to chess to video games and are governed by a set of rules outlined by the whimsical child-like deity Tet. As I mentioned in my Mondaiji-tachi review, it’s a well realised world that takes its core conceit to its logical extreme: nothing is contested without a game. This obviously puts our heroes, Sora and Shiro, at the top of the pile because of their impossibly prodigious game playing abilities.

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Sometimes a specific element of a series becomes notorious, the murderous end to School Days for instance, and Yosuga no Sora (Sky of Connection) has its own as an epilogue to the first episode. Female masturbation isn't something certain facets of anime have shied away from but it poses the question of whether or not it's in good taste. Short answer: no. What puts the series into a different category of lewdness than other tasteless series such as Ikkitousen, Queen's Blade and Kanokon is that here the series makes a desperate attempt to tell a meaningful story of emotion and heartbreak the likes of which visual novels are renowned for.

It's all been done before though, and done better. The beige-grey palette will be familiar from Futakoi Alternative and though the characters avoid the most egregious archetypes, their motivations and reactions feel all too commonplace. That black undercurrent though, with plot threads such as the sister's incestuous obsession with her brother, feel far too forced. Their taboo nature magnified when the characters are still schoolchildren of indeterminate ages and maturity. More succinctly: it crosses the line between the self-knowing, head-shaking titillation of Ladies versus Butlers and into deviant fetishism and disquieting sexual territory.

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