When one's premise is a magical fuel present only in breast milk and requires young children to extract this via the most obvious method available, having an censored version available on all but the most liberal of television channels seems counter-productive. The uncensored version fills in a lot of the gaps that the other egregiously includes, obtuse close ups of faces and innocuous body parts only go so far before hard static cuts are made to conceal raunchy or revealing motions; unfamiliarity with the concept of Seikon no Qwaser would cause significant difficultly in understanding what the alternating moans of pleasure and pain were in reference to. The volume and abject lewdness of these scenes is quite staggering and it is no understatement to call the opening episodes of the series a panoply of pornography that don't attempt to mask their intentions.
a disgusting and reprehensible attitude that is only bolstered by the violence and borderline sadism
At St. Mikhailov Academy, someone is murdering local girls; the incidents began shortly after the dean of school disappeared, leaving only a cryptic note to his biological daughter Tomo and adoptive daughter Mafuyu. Tomo is a sickly girl who is often absent from school which, now with her father missing, causes both her and her self-styled protector Mafuyu to be bullied by some of her classmates. After a chance meeting with a silver-haired Russian boy, Mafuyu is attacked by a masked psychopath and is drawn into the world of the Qwaser - alchemists with an affinity for certain elements and the need for soma, found only in selected girl's breast milk. The young boy, Alexander, is the Qwaser of iron and after joining the school and moving into the local dormitory, he vows to protect Tomo against all aggressors.
What begins as a creeping sense of malevolence with Ookami Kakushi (lit. Wolfed Away) develops into mute indifference as the threat of a mysterious scythe-wielding lunatic ebbs into frisky sexual encounters. The series starts with the faint hope of a slow burning mystery, that is resolutely extinguished however by sedentary pacing and continual non-events. Unsurprising then that the original creator behind Higurashi no naku koro ni has similar duties for this as well as the Peach-Pit duo taking responsibility for character designs. The outcome is a tasteless melange of different inspirations ranging from Night Wizard to Project Zero to Myself; Yourself and many points in between that still maintains its own distinct approach but ultimately lacks the focus needed to succeed.
the melodious next episode previews which, set to drum beats, are narrated by a soft, rasping voice
Hiroshi, his writerly father and his wheelchair-bound sister have recently moved to the rural town of Jogamachi. Divided by a river into the old and new areas, rumours abound of man-sized wolves roaming the surrounding hills; it isn't until a friendly acquaintance from school disappears though that Hiroshi begins to realise there may be more to the town than he initially assumed. With a local harvest festival upcoming - focused on the town's abundant Hassaku fruit, a type of fragrant orange - and strange occurrences increasing, the local populace's strange affection for Hiroshi may be more a curse than a blessing.
With a premise reminiscent of My-Otome and championing the current trend of snotty faux-aristocrats, Ladies versus Butlers starts as it intends to continue: copious, pointless fanservice. The frantic first episode is chase across palatial school grounds which sees girls of an acutely fair disposition faint at the very sight of a teenage boy with unkempt hair and a scar, compounded by a bevy of situations which disrobe or otherwise strip the numerous busty schoolgirls of their pride and decency. The opening episodes cater to a wide variety of deviances and with many names from Kanokon on this production, the series is sure to be replete with many more.
one the most flagrant examples of the arrogant but ditsy archetype so favoured by lazy writers
Akiharu Hino, for reasons not yet disclosed, recently transferred to the prestigious Hakureiryou school which educates both upcoming maids and butlers as well as upper class ladies (and one gentleman) on matters such as etiquette and intense loafing. After his disastrous introduction to the snooty Selnia Flameheart and a brief exposure to a number of the madcap student body of the school, he runs into Tomomi Saikyo, a childhood friend he had hoped to have left in his past. Remembering her only as scheming and devious, her presence in the school is bizarre but not as much as Akiharu's misadventures during his tenure at the most bizarre of campuses.
Within moments of the first episode, Durarara!!'s connection to Baccano! is obvious: brightly coloured eyecatches punctuating the opening and enumerating the sizeable cast. Sharing a significant portion of its predecessor's production team, director and character designer included, it likewise refuses to be pigeon holed into a single genre instead throwing its weight behind its eclectic characters and pacing. Unlike its predecessor however, everyone introduced in the first three episodes is fascinating in isolation, but fizz with chemistry when the ensemble cast collide.
the deadly serious kidnapping of Magenta is in stark contrast to the blonde bartender who punches a gentleman's clothes off
Set in Ikebukuro, Mikado Ryugamine arrives at the train station after being invited by his friend to attend the local high school. Eager to be part of the city life, Masaomi Kida shows the somewhat naive Mikado around, introducing him to friends and warning him of the dangers that the entertainment district of Tokyo holds. Weaving through the busy night time streets, they pass a girl meeting up with a man she has supposedly spoken to online. Events spiral out of her control and things look bleak until one of Ikebukuro's urban myths arrives: the Headless Rider - an enigmatic driver of a jet black motorcycle. Story threads diverge and coalesce with equal frequency as more oddball characters are introduced including a Russian giant hawking sushi, a monstrously strong bartender and a whimsically vicious young man.
The easiest way to describe Sora no Woto is to identify its most obvious influences. Already well established is the K-On! style gelatinous character designs however the set up and pacing has more in common with Haibane and its European influenced locale. Most prominent however is the tonal similarities to the Valkyria Chronicles series which is unsurprising given Studio A1 Pictures' leading role in its production, likewise for the animation which shares a great deal with Kannagi. The entire package is distinctly different to all of its progenitors but the opening episodes can't fully escape the gravity of its derivations.
this is a cynically constructed series targeted for maximum marketability and minimum friction
Kanata, who in her infancy witnessed a beautiful woman playing a trumpet to the sky, joined the army in the hope of learning to play her bugle for free. Upon arriving in the town of Seize she is caught up in a local festival and, after dirtying her military uniform, is taken in by the curt Rio. Kanata inadvertently loses Rio's pendant and forgoes her induction into the local barracks to search for it only to be lost herself and needs to be rescued by those she was due to meet earlier. What follows is an introduction to the slow life of an isolated border-town's army base and the numerous inconsequential adventures that result from it.
