Common stories are when one plus one is two, a great story (as Ken Burns puts it) is when one plus one equals three. At its heart the quote implies that it's the absurd and the implausible that can change a decent story into a brilliant one. So too is it with Tasogare Otome x Amnesia (Dusk Maiden of Amnesia) which, on paper, could have easily ended up as "My Girlfriend is a Ghost". Instead it's an impassioned love story between a dorky teenager and a ghost over half a century old.
a roller coaster of teen angst and emotions - deftly dealing with love, death and jealously
The series starts oddly enough by bifurcating the first episode: the same events but with a crucial shift in viewpoint between each telling. This is just the first in what becomes a host of extraordinarily brave moves in direction by Oonuma that temper his artisan abstractions of ef - a tale of memories, keeping the series visually arresting but less navel gazing.
It would be easy to be confused as to just where exactly Blue Drop sits in terms of genre if one went by the first three episodes: perhaps the all-girl school histrionics would give some indication, but juxtaposed with operatic science fiction it would seem that maybe the series is trying to tell a different, as yet, hidden story touching on old Gundam favourites such as the horrors of war or its effect on children. Blue Drop actually occupies the secret third option and the hint lies in the source manga's genre: yuri.
The quiet, fringe-afflicted girl shows up in an entirely out-of-place outfit consisting of a leotard crossed with navy regalia
This divulgence is able to put a lot of the introductory material into context, and while it certainly doesn't contain anything near the raunchy material of the manga, Blue Drop still seems uncertain as to who the series is aimed at. The character design is less than stellar, it seems that clichés are born and bred in the school the central characters attend and the animation does nothing to compensate for this, instead the aesthetics feel washed out and less than enticing. Development is restricted to the protagonist only, and the revelation that her nemesis is captain of a futuristic underwater craft comes across as more underwhelming than it was perhaps meant to. So with the interpersonal relationships and sexual content that series should have inherited from its parent missing, and the other typical trappings of the yuri genre absent, the question of what exactly the series offers becomes difficult to answer.
