The first time we are introduced to Guts' sword, the Dragonslayer, in Berserk is in the opening seconds as the master blacksmith Godo mends it. The first time we are properly introduced to it however is when Guts cleaves a brigand clean in two, taking out a solid wooden table and most of the floor with him. It's a monumentally absurd weapon, as tall if not more so than the wielder and likely just as heavy, outside of fiction it would be impossible for any human to wield.
For the 1997 anime at least, this introduction is misleading as the sword that we see for the remainder of the series is just as tall but not quite as absurd. It's not the only one of course - Guts grows up and events transpire which changes who he is and subsequently what he wields.
N.B. While this post deals primarily with the story covered by the Berserk anime series, allusions and non-specific spoilers regarding the manga are also made.
The talent behind this new entry in the voluminous Lupin III canon gives it a head start when it comes to acceptance. For many, Lupin III will be the critical darling The Castle of Cagilsotro directed by Miyazaki, others the original manga series. Then there's those with no prior exposure to Lupin at all who have to accept that with Takeshii Koike (Redline) on character design, Shinichiro Watanabe (Cowboy Bebop) on music and Sayo Yamamoto (Michiko to Hatchin) in the director's chair - maybe there's something special going on with Mine Fujiko to Iu Onna.
Fujiko plays the femme fatale wonderfully: pragmatic and daring but mysterious and alluring
You'd be forgiven for believing from the first three episodes that it was inventive ways of the titular Fujiko Mine appearing naked within an episode. At the risk of plunging recklessly into sexism and feminism: it's refreshing to see a female character so fully in control of her sexuality and not playing the coy and chaste purity-Sues that are the norm for most anime. It's telling though that the of the first three, the episode with the least gratuitous nudity is the most effective.
Nanananana, ZETMAN? Scowling Men: The Anime? In a world without irons, there are only CRUMPLED CLOTHES?
It's hard to be serious with a name like ZETMAN but the first three episodes give it a good stab regardless. The story of a boy born to to science and raised by a homeless Santa Claus tries its best to be affecting early on, but with no context to the death of a loved one, who could for all we know be the head of a child prostitution ring and prolific giraffe smuggler, it's hard to feel anything but mildly perplexed.
character motivations are handled with all the subtlety of a howitzer
Voiced admirably by Edward Elric, the tribulation and tears of a young orphan has a genuine emotional core to it. Then tongue demons and an alternate reality Charizard are wheeled out and it all falls apart. The most cringeworthy of these is the rich best friend who does his darndest to emulate Batman with gadgets and chutzpah but, miraculously, comes off as more annoying than his demure sister who may as well wear a t-shirt emblazoned with "Monster Bait!" on it.
You do something often or long enough and eventually you have to succumb to insanity or ask the question as to why you do it. It has taken me a while but, for now, I have a grasp on why I write about anime. That reason however is tied to why I started writing about it.
You, with your opinions, your desires, passions and language
The first canonical post I wrote on anime was in September 2007 and was on the Lucky Star TV series which had finished airing just over a week before. I say canonical because I have written about anime before, however those are locked away as protected posts under the category fearfully titled: "Deadjournal". At the time I had decided to set out my stall as someone who wrote eruditely about anime, something which at the time I believed was lacking in anime blogging. "This aniblogosphere deserves a better class of blogger!" How arrogant.
I came to Tamaki Saitou's Beautiful Fighting Girl with the expectation that it would answer the question I have pondered on for a while now: why does anime have so many "combat" girls? I left somewhat disappointed. The unfortunately abbreviated BFG was, if the translator's opening blurb is to be believed, the first in a opening salvo of critical academic writing on the subject of anime, manga and the subculture of otaku, much of it yet to be translated.
when the last remaining human component, the voice actor, is virtualised, the desirability remains
This book is unfortunately academic in the worst possible way. The author evidently expects nothing less than enthralment and in the same way a narcissist babbles endlessly into a microphone, he is content to fumble and meander across a hundred and sixty pages. Compounded by dense language - understandable for a high-level text - and vast swathes of superfluous text, a tip for wide eyed, enthusiastic reader: skip the opening prelude if you want to avoid a barrage of vocabulary smackdowns like: "Insofar as their repetition perpetuates a libidinal attachment to a fictional construct". Suffice to say, if you don't have at least a cursory knowledge of the psychiatrist Lacan and his theories, prepare to persevere as I did or at least gird yourself for further research.
