After breaking free from Yoko Kanno over three years ago, Everywhere is Maaya Sakamoto's new compilation album that brings together fifteen years of vocal work including some of the most iconic theme tunes to some of the most influential anime and a variety of TV and radio shows.
With only one new track on the two CD release, for some it may seem a hard sell for tracks that are available on all of her other albums; however with such a stunning track list, it reads more like a "best of" than simply an anniversary collection. There is a definite split with the tracks: many of them having been featured as anime, TV and radio themes whereas the others are simply memorable or notable works from her six full albums, two single collections and two "concept" albums. The media tie-ins intrinsically link the songs to an emotional theme that echoes the productions they were attached to; they also represent touchstones in the timeline from Maaya's entrance as Hitomi in the Vision of Escaflowne to both the musical and vocal powerhouse she is now. On the other hand, the original tracks anchor the collection to her previous releases and remain more personal to listeners, tied to whatever event or period within their life when they first experienced them.
Watching the latest series of Ikkitousen, with the absurd subtitle of Xtreme Xecutor, is like viewing a relic of the past. Series focused on both fighting and fanservice have long since surpassed it in terms of what can be offered: whether that's titillation or solid action, the first three episodes contain much of what characterised the first three series. Primarily an adaptation of the Romance of the Three Kingdoms epic (of which there is a self-titled, more straight faced series airing within the same season) with some lacklustre combat and ludicrously proportioned girls losing their clothing at the slightest opportunity. Next to nothing has changed from the preceding series, so like slipping into an old set of clothes, there is comfort in the familiar but also lamentation at their threadbare state.
this is a series concerned with curvaceous ladies and their disrobing antics
Mostly ignoring the resolute waste of time that was Great Guardians, the schools are enjoying a time of relative peace after the battle which took place at the climax of Dragon Destiny. That is until a spunky young lass appears attempting to make trouble for some fatal grievance her brother-cum-guardian suffered at the hand of the nefarious Sousou. After a selection of tepid duels, some involving baked goods, she is put in her place and only barely manages to escape; she is picked up by Ryuubei stumbling blindly in the rain and taken to Seito. The girl, Bachou, begs to be trained at the school until a misguided excursion with Ryuubei leads to an intervention by the interminably ditsy Hakufu. Now begging to be trained by Hakufu, an imperial decree is delivered with word of a new fighting tournament, issued by someone claiming to be the Emperor Kentei.
Please note: the remainder of this post contains images of nudity, if you are offended by these or are otherwise unable to view these images within your municipality due to laws or moral obligations, please do not proceed.
The opening moments of Shiguri are divisive: after a montage of lingering, abstract motions, a retainer prostrates himself before his lord and, in slick, gory detail, fatally offers his intestines up to enforce the severity of his request. What follows in the succeeding episodes is often harrowing, frequently disgusting, but never gratuitous - a meditation on the consequences of violence, set within a fiercely feudal system where the sword is the highest form of law. Coming from the same director as the exquisite Texhnolyze and the same studio as Aoi Bungaku, the subdued and graceful viciousness of the story is accompanied by visuals that are as dark as they are breathtaking. The whole then is a deeply affecting series that challenges many tropes common to the samurai genre and proves there is still a place for a poised and measured storytelling style.
raw and primal, as far from top-knots and toffs as possible
When a local lord calls a tournament, two visibly deformed swordsmen enter the arena: one missing his left arm, the other is blind and limping. The pair share a chequered history as two of the last practitioners of the Kogan style of swordplay. Named after Kogan Iwamoto, who after a faux pas concerning his polydactylism cost him a high ranking position, set up the school. Seigen Irako joined when Gennosuke Fujiki was still an assistant instructor, and after only a year came to rival him in proficiency. Both men vie for the position of successor to the Kogan style, and for the affections of Kogan's daughter, Mie; Seigen's hubris however will be his undoing as the school is unforgiving of slights against them and the punishment meted out will surpass mere cruelty. Revenge however, is just as ruthless.
Most of Tatakau Shisho: The Book of Bantorra feels like an incompetent comedian trying to tell a joke: each story ends with blank faces, raised eyebrows and a belated admission along the lines of "oh and there was a lizard who made everyone angry". It isn't a lack of time or imagination that scuppers the series, but a dearth of storytelling proficiency. Characters are introduced with no explanation as to why they were absent in the previous episodes, throwaway events from ten episodes prior are made crucial in a disparate storyline and deaths come frequently but are at best poorly handled and at worst treated as inconsequential. These faults don't prevent enjoyment of its unique world and ideas, but do turn an otherwise highly promising start into a lacklustre continuation.
given the weight such an endearing character's loss deserves; however it is handled with all the grace and deftness of a giraffe on ice
Split across multiple loosely connected stories, the overarching plot concerns the library of Bantorra and the collection of militant librarians which reside there. Located on an island at the centre of the known world, the librarians are charged with protecting the stone "books" which are born from people when they die; these books are organised in the multiple sub-levels of the library with the most treasured volumes in the lowest and most heavily guarded areas. The librarians fight against a group known as the Church of Drowning in God's Grace which aims to create a mythical "True Man". All is not as it seems though and in a world where death comes swiftly and brutality is everywhere, the three ancient deities of the world have plans which will affect all of the world's denizens.
Sawako's existence: a pure, unspoiled girl, gifted with a charming, near heartbreaking innocence is the most outlandish element of Kimi ni Todoke. The rest of the cast - whether it is the perceptive Ayane or the manipulative Ume - demonstrate traits expected from people, adolescents especially. But Sawako doesn't. Her boundless appreciation for the simple things she experiences, whether that's dinner with friends, karaoke after school or eating lunch in the company of others could easily become tiresome; however her plight is so utterly genuine and her reactions so heart-warming that it overrules the presence of obvious genre tropes and raises a pang of guilt for not believing her character could exist outside of fiction.
the niggling worry that her downfall is only a misinterpreted gesture away begins to ebb
Sawako Kuronuma hasn't experienced the best of school - her isolation from her peers was neither self inflicted nor maliciously enforced. Upon entering high-school however, the affable Shota Kazehaya - who effortlessly makes friends and interacts with people - catches her eye. Sawako envies his personality, but when out-of-the-blue he comes to speak to her one day, her whole life changes as classmates become close friends and she begins to enjoy a more fruitful school life. The change is not without its tribulations though: jealous rivals for Shota's affections attempt to sabotage Sawako's prominence in his eyes and the burgeoning affection she feels for him leads to a number of misunderstandings. As the school year draws to a close, Sawako wonders if she will be able to let Shota know just how much he means to her.
