We’re done with the portmanteaus, no more Bakemono or Nisemono, just Monogatari Second Season. It’s a bit of a misnomer really considering we’re thirty episodes deep already with ONAs scattered about like confetti and a series chronology that’s increasingly difficult to cohere into a straightforward story. Straightforwardness is not what you get with the Monogatari franchise though, which is both in its favour and to its detriment; however more than any of the previous series - the watershed Bakemonogatari, Nisemonogatari then Nekomonogatari - this is what everything has been building up to.
this isn’t just fan-service, this is Shinbo x SHAFT fanservice
Not in terms of story mind you, it’s still the dialogue-heavy, supernatural-affliction scaffolding that has driven the plot from the outset. Certainly not in terms of characters either with the return of just about every female lead barring Suruga and barely a handful of new additions, some of which are difficult to tell apart from already established cast members. No, the build up has been there to tear down and put back together, to lay bare the characters and tropes that, to a certain extent, the franchise has built around itself.
Sasami-san@Ganbaranai (Sasami@Unmotivated) is very SHAFT. A useless description as everything the studio produces is by definition very SHAFT, but as an adjective it encapsulates the studio's infamous approach: an unwavering confidence in delivery, a devotion to pop-culture and often a production led by designers rather than artists and script writers rather than story. In the pantheon of its shows then, Sasami-san has far less protracted banter than Bakemonogatari but a stronger narrative than Tsukuyomi.
But it's still inescapably SHAFT, and it may be the tired old man in me, but I really wish it wasn't.
time travelling golems and family members repeatedly rising from the underworld
As a modern take on the the collage of stories from Japan's spiritual history it's fascinating and barrels through the often mercurial Shinto "religion" with its rich pool of deities and paraphernalia, from Amaterasu to Kagusutchi. This isn't however My-HiME's naming of super-powered critters, or the sword naming scheme of innumerable JRPGs, but a fresh story with these multifarious gods and demons set in modern day and all its trappings. Coupled with a dreamy pastel art-style and animation that shoots precipitously from "we'll fix this in the Blu-ray release" to "three animators died producing this" and all the pieces are in place for a must-watch bonanza.
