Of all the franchises that crave another series - Ghost in the Shell Standalone Complex, Stellvia of the Universe (well kind of), Moyashimon (wait...) - Eureka Seven was not one of them. The hugely influential original series was Studio Bones firing on all cylinders. A tour de force of storytelling, boundless imagination, confident execution, and most critically a satisfying and conclusive ending. Say what you will about the pacing (soccer episode anyone?), it still stands as one of the best anime series ever made.
Eureka Seven Astral Ocean has a lot to live up to and does itself no favours by starting very similarly to Xam'd of the Lost Memories - an idyllic island community is attacked with terrifying force by an alien aggressor while an aged doctor tries to help. It's certainly a lot more coherent than Xam'd and has echoes Eureka Seven's original opening with the humanoid robot Nirvash careening into the Thurston's garage roof.
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A lot can be said for a good story well told. Ano Natsu de Matteru rockets into the romance genre with a concept that by all rights should be weary from overuse, but is instead energised by likeable characters and a story that is impassioned and dramatic with little triteness.
Crowbarring five teenagers onto a sub-tropical island was suspect enough but meeting up with a childhood friend...
Not surprising really given the talent behind almost every facet: the director has past triumphs with Toradora!, Ano Hi Mita Hana and A Certain Scientific Railgun, the writer is the same person responsible for Please! Teacher and music is provided by the imitable I'VE SOUND group including opening lyrics penned by none other than alumni KOTOKO - it's like getting the band back together. The creators indelible fingerprints are everywhere, whether it's the cerulean skies and over-saturated greenery encapsulating a youthful summer or the skilful manipulation of character affections and steady meting out of drama; to say it was well produced would be doing it a disservice.
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Unimaginative. Tired. Bland. Tedious. Insipid. The list of derogatory descriptions for Kämpfer is lengthy but suffice to say the utter lack of inspiration the series demonstrates is quite staggering. Cherry picking the most aggravating elements from other shows and combining them into a thoroughly banal presentation of gender swapping and fighting females which, on the face of it, is a combination ripe for exuberance.
the proclivities of the entire school population wielding an XX chromosome seem ridiculously tame
The opening scene is enough cause for one to turn off and continue no further: a luminous red-head shooting at a fluorescent blue-haired buxom female running and darting about conspicuous trees while her clothes are seductively shredded. Were it not for the next scene, a comparative master class in introductions, the series would be starting off at the very bottom of the entertainment hill. The inaugural episodes oscillate from apathetic combat to surprisingly gratifying school humour and only seems to hit its stride in the third which introduces a plethora of débutantes eager to ravish the goofy protagonist who woke up one morning a different sex than that which he went to bed.
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