Spring 2012 is coming, attempting to wrap up Winter 2011.
Aquarion EVOL
This is not the Age of Aquarius. The first series of Aquarion was mediocre at best - surprising really given Yoko Kanno's duties on the soundtrack and the birth of what should have been a decent pop-star in the form of AKINO. EVOL comes after an ill-advised OVA and reboots the premise by retaining the giant robot consisting of separately piloted craft - think Getter Robo except with squeals of orgasmic delight from the female aviators - but amps up the ridiculous factor to eleven. The opening episodes are pleasing in how seriously the show doesn't take itself with a a male protagonist who floats on wings growing from his ankles when he has any naughty thoughts.
Ben-to is completely crackers. And, for a while, you can believe it knows how crackers it is. Then it runs out of steam and its concept can no longer sustain what is already pretty flimsy.
why the twins are fighting for discount food given their nouveau-rich status?
It's in good company with the likes of Tenjou Tenge and Ikkitousen which take a similarly flippant view to the high-school brawler genre, populating their casts with impossibly buxom ladies. Here proportions are fast and loose with one recurring character - charmingly known only as "Brunette" - only ever shown from the neck down and waist up.
Obnoxious, but typifies the opening episodes which trudge through the regular tropes of harem building and "must get stronger" mentality from the protagonist. The story of bored students fighting over discount bento boxes is completely absurd, likely borne from a creatively blocked writer witnessing a minor scuffle one evening in a convenience store and spinning it out. From there it's only a short mental hop to the grandiosely titled "wolves" who value guts and glory over smart thinking, through to the lesser dogs or the belligerent boars.
Sometimes a specific element of a series becomes notorious, the murderous end to School Days for instance, and Yosuga no Sora (Sky of Connection) has its own as an epilogue to the first episode. Female masturbation isn't something certain facets of anime have shied away from but it poses the question of whether or not it's in good taste. Short answer: no. What puts the series into a different category of lewdness than other tasteless series such as Ikkitousen, Queen's Blade and Kanokon is that here the series makes a desperate attempt to tell a meaningful story of emotion and heartbreak the likes of which visual novels are renowned for.
It's all been done before though, and done better. The beige-grey palette will be familiar from Futakoi Alternative and though the characters avoid the most egregious archetypes, their motivations and reactions feel all too commonplace. That black undercurrent though, with plot threads such as the sister's incestuous obsession with her brother, feel far too forced. Their taboo nature magnified when the characters are still schoolchildren of indeterminate ages and maturity. More succinctly: it crosses the line between the self-knowing, head-shaking titillation of Ladies versus Butlers and into deviant fetishism and disquieting sexual territory.
An amnesiac girl falls to earth. Girls fight until their clothes fall off. A man stands pure and oblivious amidst a brothel's worth of females. A beleaguered viewer has seen it all before. Take your pick from Queen's Blade, Ikkitousen (any flavour) or Tenjou Tenge and Hyakka Ryouran Samurai Girls (Hundred Blooming Flowers Samurai Girls) will follow both logically and thematically. The premise is simple and familiar: put as much flesh on display as frequently as possible with only a hastily scrawled story to keep it legitimate.
The series' aesthetic draw beyond the curvaceous dolls on parade is the odd blend of chunky, flat characters against abstract watercolour backgrounds which expertly evoke ancient Japanese vistas. So too does the ethos of the characters, steeped in the bushido code of the samurai, the chaste speak of honour and fealty to their master while the unclean employ subterfuge and dirty tactics - as well as servicing their fickle master's sexual whims. It could easily be taken as naive patriotic propaganda with the opening episode's exposition of weapon-wielding girls taking down squadrons of World War 2 planes.
Where have all the young men gone? Sure there are the military men, barely old enough to hold a meaningful rank, but the Strike Witches 2 universe is entirely bereft of any young boys. Perhaps ages six through sixteen are spent in secret training to reduce the number of assaults due to the girls' complete lack of clothing below the waist. Or perhaps the Neuroi, the opaque alien aggressors, are an analogy of male puberty. Regardless, the opening three episodes of this second season start out much as the first and it isn't until the cringeworthy third episode that the uncomfortableness of watching young girls with no lower clothing on suffering through compromising situations sets in. The change of studio from the beleaguered GONZO to AIC Spirits hasn't changed the aesthetics, but it has reduced the crotch shots and increased the piercing light of censorship. Otherwise, for better or worse, the premise and execution are left entirely in tact.
a zero-sum series, each shred of development evaporates as soon as the characters visit a bath
After the events of the first season, the Neuroi were pushed out of Britannia and into Romagna, however as a communication channel was about to be opened with the now humanoid enemy, another force descended to Earth, consuming the all in their path. City after city is razed in this new offensive and entire squadrons of Strike Witches are decimated with the ferocity and volume of attacks. Yoshika meanwhile has graduated from school and is considering what to do next when word of an attack involving her comrade Lynne comes over the radio. The desire to protect her friends is too great, so it is that the 501st reforms to combat this renewed threat.
