Sometimes a specific element of a series becomes notorious, the murderous end to School Days for instance, and Yosuga no Sora (Sky of Connection) has its own as an epilogue to the first episode. Female masturbation isn't something certain facets of anime have shied away from but it poses the question of whether or not it's in good taste. Short answer: no. What puts the series into a different category of lewdness than other tasteless series such as Ikkitousen, Queen's Blade and Kanokon is that here the series makes a desperate attempt to tell a meaningful story of emotion and heartbreak the likes of which visual novels are renowned for.
It's all been done before though, and done better. The beige-grey palette will be familiar from Futakoi Alternative and though the characters avoid the most egregious archetypes, their motivations and reactions feel all too commonplace. That black undercurrent though, with plot threads such as the sister's incestuous obsession with her brother, feel far too forced. Their taboo nature magnified when the characters are still schoolchildren of indeterminate ages and maturity. More succinctly: it crosses the line between the self-knowing, head-shaking titillation of Ladies versus Butlers and into deviant fetishism and disquieting sexual territory.
It's easier to think of Strike Witches more as unfulfilling pornography than a more traditional, coherent series; all the hallmarks are present: copious nudity, low camera angles, paper-thin plot, a cast reduced to caricatures, fake lesbianism and innumerable fetishes. It makes it more enjoyable to watch with this in mind as no longer can it be held to the same standards as other series - were that to happen one would likely not make it past the first five minutes of hackneyed, tedious plotting and be reduced to apoplectic cursing within ten. Instead, this is a brainless, fluffy, occasionally uncomfortable but mildly entertaining series that, like porn, walks the line between guilty pleasure and stupefying incredulity.
it echoes a studio desperate for a widespread hit - and what better way than firing as much ammunition as possible with the hope that some of it will hit?
Yoshika is a witch in her native country of Japan (Fuso in the series parlance). Her powers make her a perfect candidate for the Strike Witches, a group of young girls who use magic-enhancing machinery to fight against the Neuroi - enigmatic alien aggressors who have razed most of mainland Europe. Initially adverse to the idea, Yoshika's quest to find her father inevitably leads her into the force which consists of girls of various ages from all over the world from the British Lynette - a sharpshooter in training, to the German Erica - a fantastically talented but slovenly combatant, to the ghostly and clairvoyant Sanya. Yoshika's battle against the Neuroi may have only just begun, but she may be the key to turning the tide against them for good.
Please note: the remainder of this post contains images of nudity, if you are offended by these or are otherwise unable to view these images within your municipality due to laws or moral obligations, please do not proceed.
Takashi Watanabe obviously woke up one morning, head still groggy from a night of drink, drugs and debauchery, one hand clutching a napkin with a list scrawled on it - ninjas, cyborgs, magic, gods, dragons, breasts - and in the other a production contract, sloppily signed by himself. There is no way else a series as bonkers as Ichiban Ushiro no Daimou could have been born except from some ill-informed bet or dare. Cramming this amount of content into twelve episodes means dispensing with a consistent art-style, rounded characters and coherent storytelling; that the series hangs together at all depends entirely on the infectious enthusiasm and deviant pleasure of wondering where the story could possibly go next.
a show that Michael Bay would create if he were a long time anime fan, slightly deranged and on the breadline
Despite Akuto Sai's desire to become a High Priest - a peerless champion for good - his Constant Magick Academy aptitude test predicts he will become a fearsome Demon King. Panic amongst the student population ensues and although Akuto remains defiant, forces begin to align themselves both for and against his ascension. Ancient clans such as the samurai Hattori and black magic Etou become involved, just as the ruling government sends an android to keep watch; Akuto isn't alone however, his childhood friend Keena and spirited minion Hiroshi stand by him, doubly so when the fearsome dragon and loyal servant of the Demon King Peterhausen is unearthed. Akuto's plan to remake the system of gods and scriptures may yet come to pass, though maybe not with him as the soldier of justice he envisioned.
Please note: the remainder of this post contains images of nudity, if you are offended by these or are otherwise unable to view these images within your municipality due to laws or moral obligations, please do not proceed.
A concept such as a brother's romantic entanglement with his two, admittedly non-blood related, sisters does not seem like one suited to crippling mediocrity - but Kiss×Sis, by some monumental feat, manages exactly that. The odd family arrangement mirrors that of the series which spans multiple media including an OVA released with the ongoing manga. This saturation of different versions is utter overkill for a bland story and weak characters but compounded here in the TV offering by minimal naughtiness and a wholly uninspiring production of stilted animation and insipid music. The positives are rare but include how peculiarly inventive the narrative is in placing the sisters in situations ripe for corrupting their brother, as well as portraying the two perverse, red-haired seductresses' intentions as naive and almost pure. Those pluses however are eclipsed by the multitude of negatives which only reinforce the fact that this was a stillborn idea before it was ever committed to paper or animation.
makes light of situation which is socially and morally bankrupt in order to legitimise a deviant fetish
Keita is his father's son, unfortunately for him his sisters are his stepmother's daughters and while a blended family isn't abnormal, his sisters' vocal affection for him is. They are intent on helping him get into their high school which involves some rather unique methods of tutoring, however both Ako and Riko vie for Keita's affections which spills out into a continual struggle for supremacy. This usually ends up with Keita in the middle attempting to unsuccessfully mediate or otherwise remove himself from the squabble. Although at first disparaging of their romantic feelings, he begins to feel something for them as well, and being all under the same roof it may not be long before something extra curricular happens.
Harry Potter can't be entirely to blame for the continuing creation of series based upon a school for adolescent magicians, but Ichiban Ushiro no Daimaou borrows a lot more from the ubiquitous boy wizard than can be easily overlooked. Thankfully the pilfering doesn't last beyond the opening ten minutes, from there the first three episodes are a maelstrom of raunchiness, magic, humour and insanity culminating in a one-versus-hundreds battle royale. Where the series will go from there is up for speculation as it ably demonstrates that, for better or worse, it is willing to discard common sense and narrative coherency to keep the humour flowing, the naughtiness frequent and pace quick.
taking place after transforming a slavering demon dog into an adorable puppy and the seductive Fujiko lounging around in her frilly underwear
Akuto certainly hasn't had an easy upbringing: left on a set of church steps when only a baby, he was brought up by the resident priests before swotting up and joining the Constant Academy for Magical Arts as a transfer student. On the train there he meets a fellow student, Junko Hattori, and become fast friends; that is until the prognosticating medical check-up demon predicts that Akuto would go on to become a much feared Demon King. Striking abject fear into the student body, he desperately tries to assure his peers that his intentions are far from demonic, however Junko is less than pleased with what she perceives as his deception and rebels against him. Akuto not only has to survive her onslaught but also the devious machinations of Fujiko Etou, the deadpan wit of the android Korone and the ebullient affections of Akuto's childhood friend, Keena Soga. In all probability he may not live long enough to see himself become the infamous Demon King.
