Apathy seems to have been a trendy topic for anime the past few years, culminating in 2012 with Hyouka’s Oreki whose, if you’ll forgive the pun, entire driving force was to pursue a languorous existence, free of exertion. Denpa Onna to Seishun Otoko (Electrowave Girl and Youthful Boy / Ground Control to Psychoelectric Girl) may have preceded Hyouka by a year but nevertheless rails against this trend of laziness, ironically doing so in the most languid and nonchalant way possible.

It doesn’t start as such. The first episode is, for the lack of a better phrase, very SHAFT, by which I mean very Shinbo. It’s sparkling, protractedly verbose and cut together with just enough self-assured rough edges to be purposeful.

It’s pretty terrible.

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First released: April 2013
Version reviewed: TV

For a series set in a near-future, science-driven city, the second season of A Certain Scientific Railgun (now with the “S” suffix) certainly paints a dim view of science and scientists. All of them barring the “good” one are shown as bespectacled loons with no regard for human life and a casual relationship with morals.

Academy City is lovingly rendered and plays host to the ongoing adventures of Mikasa Mikoto - the titular “railgun” - and her cohorts. Split roughly into two interlocking stories, the plot follows an experiment to advance a top level esper - those with varying X-Men like super powers - beyond anything seen before, and a spurned scientist’s attempts to demonstrate that even with their powers, espers are just as powerless as those without.

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