This is the second part of my dive into some of the anime that I watched during my adolescence in the wee hours of analogue satellite stations. The first part concerned the ultraviolent Genocyber.
When I began my project to relive my formative anime experience, I was looking for a series that had a very specific scene. The only reason I can remember it vividly was not the anime itself but more what happened around it. Suffice to say, Dangaioh was not the series I was looking for, and despite my memory assuring me I had watched it, very little jogged my memory (this could be to do with Manga Entertainment only released two out of three episodes). Much of that familiar feeling though can be attributed to how trend setting Dangaioh was for its time period, something that mecha design and sci-fi series in general would mimic and cherry pick from in the years to come.
If ever there was a need to reiterate it: successful comedy hinges on the delivery. Seitokai Yakuindomo somehow doesn't understand this and after cramming joke after staid joke into an episode, it still comes across as bland and uninspired. All the constituent parts are there: the all-girls school recently turned co-ed, the straight-man protagonist, the overcompensating short girl; but none of them gel together. The first three episodes never break that threshold that turns a smirk into a laugh into a guffaw. Instead, predictability and tedium set in and what could have been a sterling comedy, pregnant with possibilities, falls flat and doesn't find the spark to differentiate it.
pixelated shots of sex toys and genitalia during the opening demonstrate the tawdriness the jokes aim for
Takatoshi joined Ousai Academy because it was close to his house. It is no ordinary school however, up until recently it was an all-girls school meaning the ratio of females to males is high and though Takatoshi didn't join to build a harem, other male students certainly have. On his first day he is accosted by the student council president, Shino, and forced to join the council as vice president and representative for the male student body. As well as the filthy mind of the president, he is joined by the ultra-rich Aria and the genius trapped in a child's body, Suzu in his daily duties involving an inordinate amount of paperwork as well as loafing around the council room during breaks.
Harry Potter can't be entirely to blame for the continuing creation of series based upon a school for adolescent magicians, but Ichiban Ushiro no Daimaou borrows a lot more from the ubiquitous boy wizard than can be easily overlooked. Thankfully the pilfering doesn't last beyond the opening ten minutes, from there the first three episodes are a maelstrom of raunchiness, magic, humour and insanity culminating in a one-versus-hundreds battle royale. Where the series will go from there is up for speculation as it ably demonstrates that, for better or worse, it is willing to discard common sense and narrative coherency to keep the humour flowing, the naughtiness frequent and pace quick.
taking place after transforming a slavering demon dog into an adorable puppy and the seductive Fujiko lounging around in her frilly underwear
Akuto certainly hasn't had an easy upbringing: left on a set of church steps when only a baby, he was brought up by the resident priests before swotting up and joining the Constant Academy for Magical Arts as a transfer student. On the train there he meets a fellow student, Junko Hattori, and become fast friends; that is until the prognosticating medical check-up demon predicts that Akuto would go on to become a much feared Demon King. Striking abject fear into the student body, he desperately tries to assure his peers that his intentions are far from demonic, however Junko is less than pleased with what she perceives as his deception and rebels against him. Akuto not only has to survive her onslaught but also the devious machinations of Fujiko Etou, the deadpan wit of the android Korone and the ebullient affections of Akuto's childhood friend, Keena Soga. In all probability he may not live long enough to see himself become the infamous Demon King.
Watching the latest series of Ikkitousen, with the absurd subtitle of Xtreme Xecutor, is like viewing a relic of the past. Series focused on both fighting and fanservice have long since surpassed it in terms of what can be offered: whether that's titillation or solid action, the first three episodes contain much of what characterised the first three series. Primarily an adaptation of the Romance of the Three Kingdoms epic (of which there is a self-titled, more straight faced series airing within the same season) with some lacklustre combat and ludicrously proportioned girls losing their clothing at the slightest opportunity. Next to nothing has changed from the preceding series, so like slipping into an old set of clothes, there is comfort in the familiar but also lamentation at their threadbare state.
this is a series concerned with curvaceous ladies and their disrobing antics
Mostly ignoring the resolute waste of time that was Great Guardians, the schools are enjoying a time of relative peace after the battle which took place at the climax of Dragon Destiny. That is until a spunky young lass appears attempting to make trouble for some fatal grievance her brother-cum-guardian suffered at the hand of the nefarious Sousou. After a selection of tepid duels, some involving baked goods, she is put in her place and only barely manages to escape; she is picked up by Ryuubei stumbling blindly in the rain and taken to Seito. The girl, Bachou, begs to be trained at the school until a misguided excursion with Ryuubei leads to an intervention by the interminably ditsy Hakufu. Now begging to be trained by Hakufu, an imperial decree is delivered with word of a new fighting tournament, issued by someone claiming to be the Emperor Kentei.
Please note: the remainder of this post contains images of nudity, if you are offended by these or are otherwise unable to view these images within your municipality due to laws or moral obligations, please do not proceed.
Camera angles low, skirts short, females buxom and bath scenes aplenty, Ladies versus Butlers never forgets to pepper each episode with some pointless nudity or contrived situation aimed at keeping the chronically distracted engaged. Odd then that it routinely forgets its own premise, most of its own rules and the chest size of many of its cast. Moving away from the cringe inducing antics of Kanokon, the series guides the noseless female protagonists through a variety of light-hearted storylines, culminating in a predictable and tedious love triangle with the vacuous male lead. To its credit though, not once does it stray from the cheerful light humour that it competently achieves.
memorable more for playing fast and loose with human anatomy than ever
Akiharu's first day at Hakureiryou academy is fraught with misunderstandings - chased across campus by one of the schools top students, Selnia Iori Flameheart, he is only saved by his childhood classmate, Tomomi Saikyou. His training to become a butler is subsequently beset with problems as he is dragged from one situation to another by the snooty, devious and arrogant members of the school which run the gamut from a princess with a penchant for magical girl anime to a mute foreigner with an overzealous bodyguard to a confused transvestite. As Akiharu becomes more well known, his admirers begin to increase and it isn't long before he has a bevy of blossoming young ladies inexplicably smitten with him, much to his chagrin.
Please note: the remainder of this post contains images of nudity, if you are offended by these or are otherwise unable to view these images within your municipality due to laws or moral obligations, please do not proceed.
