Capturing the spirit of football and not simply throwing angry young men together is a tough ask, whether Giant Killing achieves it is a question best left for an audience more familiar with the enthusiasm the sport engenders. The first three episodes certainly capture the fury and, one presumes, the passion it stems from but whether the series can transcend its relegation to the sports genre is another matter. With only a single match and a lot of shouting in the opening episodes it has a long way to go to individuate itself from others in its league but converting an audience ambivalent or indifferent to football is perhaps too much to ask.
an uninspired and predictable series with bland characters and a penchant for mistaking enthusiasm and devotion for shouting and confrontation
East Tokyo United (ETU) isn't doing well: after years of poor performance after their star player Takeshi Tatsumi departed, they've had to turn to their last resort. A renowned manager is hired to drag the team out of their slump; the manager however is the same player who abandoned the team and caused their rapid descent down the leagues. His style is unorthodox and destructive, riling up the experienced players by claiming that the group of younger players is in the best position to make the first team. After an abrasive and revelatory training session, the team heads out to their training camp in the frigid north where the whimsical Takeshi is doing everything he can to fracture the team. Whether the techniques his time in England fostered will transfer over to ETU will define whether they'll beat their rival, Tokyo Victory, and prove they are in fact capable of giant killing.
Joining the list of shows that consider a single exclamation point inadequate to convey their delirious enthusiasm, Working!! is an unlikely comedy set in a restaurant staffed by an eclectic and offbeat selection of characters. Favouring wry humour over slapstick, the first three episodes of the series have a wide stable of jokes and though it wears its four-panel comic strip heritage on its sleeve, the pacing is solid and it stays away from wildly exaggerated scenarios, instead sticking with the ongoing tribulations of the cast's idiosyncrasies. All of the enthusiasm may come from the diminutive pixie Poplar, but the series has all the hallmarks of a supremely competent comedy ready to fill its entirety rather than expend its energy all at once.
a self-assured and capable comedy that may not aim high or burn fast, but sticks to its strengths
Poplar works at the Wagnaria family restaurant in Hokkaido and has been tasked by her surly manager to find a new employee to help with the increasing work load. After exhausting her options, she begins soliciting strangers on the street, finally asking Souta who mistakes her for a wayward middle school student. Beguiled by her size and demeanour, he accepts the job offer and is introduced to the menagerie of characters that make up Wagnaria's staff. There is the manager, Kyouko, who does little work and subsists on a diet of parfaits, most of them served by Yachiyo who, as well as carrying a sword around, has a long history with the manager. Poplar is small but sprightly and quite the opposite of Mahiru who has a ferocious phobia of men, much to the dismay of Souta who ends up on the receiving end more often than not. Souta himself isn't bereft of his quirks and despite his initial qualms, quickly settles in to the staff's continuing misadventures.
