Posts with the “near future” tag

The loneliness of ghosts

A review of episodes 3 & 4 of Ghost in the Shell: Arise

I was six when the Ghost in the Shell manga was first released, twelve when the Mamoru Oshii movie was originally released and fifteen when I saw it on Manga Entertainment’s first VHS release of it. Since then there has been second Oshii movie which, like its manga sequel by Masamune Shirow, many people would rather forget happened, and the almost universally well regarded Stand Alone Complex TV series, all fifty two episodes, two compilation movies and an original TV movie of it. That’s an awful lot of history for a franchise and is something that the last two releases of the latest entry, Arise, seem all too aware of.

Ghost Tears and Ghost Stands Alone, despite being initially released in theatres, are episodes rather than movies. At only fifty minutes each they have neither the time nor the isolation that movies do, and one would argue, that Ghost in the Shell as a concept needs. I said before that the first two entries, Ghost Pain and Ghost Whispers, held onto the ideas that run across the franchise:

“The layering of bureaucracy and machinations of governments and individuals in a world that is highly networked and ruthlessly mechanised, and ultimately facing new and increasing challenges because of it.”

That’s an awful lot to cram into only fifty minutes, and it has required some sacrifices that not everyone has taken to kindly.

Read the rest of this entry

Attentive

A review of the movie Hal

There’s a point about two thirds of the way through Hal (Haru) where, during a festival, two fan-bearers are just out of sync with one another during their routine. It’s obviously intentional and though a small touch, it’s indicative of this short, one hour, film as a whole: detail orientated.

Set in the near future, Hal’s plot concerns a care robot taking on the guise of a deceased person in order to help their partner overcome their all-encompassing grief at their passing. The detail then is not only in the sumptuous backgrounds and animation work by Production I.G. but also in the very subtle portrayals of the characters. So every furtive look, every motion is crafted to be as effortless and as natural as possible and to ensure that you’re never drawn out of the delicate story being told.

Please note: the remainder of this post contains very small spoilers for the film.

Read the rest of this entry