There’s a point about two thirds of the way through Hal (Haru) where, during a festival, two fan-bearers are just out of sync with one another during their routine. It’s obviously intentional and though a small touch, it’s indicative of this short, one hour, film as a whole: detail orientated.
Set in the near future, Hal’s plot concerns a care robot taking on the guise of a deceased person in order to help their partner overcome their all-encompassing grief at their passing. The detail then is not only in the sumptuous backgrounds and animation work by Production I.G. but also in the very subtle portrayals of the characters. So every furtive look, every motion is crafted to be as effortless and as natural as possible and to ensure that you’re never drawn out of the delicate story being told.
Please note: the remainder of this post contains very small spoilers for the film.
Already no stranger to delving into the future, anime this season sees Production I.G. produce two forward looking series with Psycho-Pass, a mid-future cyber-noir and Robotics;Notes, a close-future hyper-commercialised world of robot fetishism. A1-Pictures meanwhile adapts the far future Shinsekai Yori (From the New World) novel into a series, followed by newcomer studio 8bit adding a TV series to Busou Shinki's already voluminous roster of media and merchandise. Finally there is the alternate history and fantasy-leaning K from GoHands, best known for their recently completed movie trilogy Mardock Scramble. All of them take a stab at a high-concept future but if the first three episodes are anything to go by, some are more successful than the others.
glassy-eyed pixies don absurd (yet still revealing) armour to knock seven shades of tar out of one another
Psycho-Pass for instance takes the dystopian world of Philip K. Dick's Minority Report - where law enforcement is no longer a reactive element of government - while mixing in some of Brave New World's deliberations on a ruthlessly enforced gilded cage. It tackles the same ethical briar patch as Minority Report:whether it is just to pre-emptively arrest, or in this series' parlance "rehabilitate", someone based upon the prediction of a third party, in this case the omnipresent Sybil System. Human judgement is taken out of the equation with even the gloriously titled "Dominator" guns unable to fire without the system's say so.
It comes as quite a surprise that Shukufuku no Campanella is in based on a visual novel rather than an RPG; the hints are remarkably strong with quests, line-dancing combat and job-classes, even the opening scenario seems ripped straight from Chrono Trigger or Legend of Zelda: The Minish Cap. What lies beyond this superficial resemblance however is a cutesy, pastel coloured romp through a fluffy, high-fantasy world that keeps the conflicts light and the humour inoffensive but with a dash of eye-rolling raciness that remains the only hint of its adult game heritage. Without a stronger narrative to support it, the series relies on its cast which for the first three episodes are entertaining enough, but whether the series can last for twelve episodes on twee intentions is another matter.
the whimsical lifestyles of uninteresting characters in a fascinating world
Taking place in the city of Ert' Aria, the Oasis clan is a loose collection of characters lead by Carina, daughter of the grand duke of the city, and consisting of her childhood friend Leicester, maid Nina and resident burly man Nick, as well as recent additions such as the puppeteer Agnes and templar knight Chelsea. On the night of a meteor storm, ethereal energy awakens a highly sophisticated automaton which, for better or worse, latches on to Leicester and joins the Oasis group. Together they take on different quests at the behest of often faceless clients and can include activities ranging from quelling a raging crystal dragon to picking a rare black rainbow flowers. A mysterious power however dwells within the recently awakened mechanical girl, Minette, and her very nature as well as her abilities may attract unwanted attention.
Tengen Toppa Gurren Lagann was born as a dream project: bringing together some of GAINAX's finest in an original concept with all the flamboyance and energy the best works from the studio are noted for. An ensemble of animation and episode directors could have easily birthed an amalgam of half-cocked ideas and tepid action; instead a rare gem, vast in imagination and rich in breathless enthusiasm, was created and took the varied mecha genre to outlandish heights.
the spiral becomes a standard for the loud, energy filled cries that characterise every duel, skirmish and battle
Beginning deep underground, Simon is a reticent young digger for a village sequestered from the surface; his companion, Kamina, is brash, forthright and instantly charismatic. After a giant robot falls from the surface - swiftly followed by the sparsely clothed Yoko - they begin an adventure across the surface and all the trouble that entails. For many series this would be the entire narrative, however after a monumental battle with the aggressor of the surface, the Spiral King, time moves forward. Characters are older and divisions deeper, it is only then that the true threat appears which threatens not just the world or the galaxy, but the entire universe.
