There’s a principle in writing drama coined by Anton Chekhov called simply “Chekhov’s Gun”. It’s a straightforward idea with the spirit of it being “don’t include anything unnecessary”; a lot of anime do it anyway as either a hangover from their manga or light novel source material, as a way to entice viewers further than the first episode, or as a misguided attempt to construct a foundation for additional instalments. If that’s Chekhov’s gun, then Seikoku no Dragonar (Dragonar Academy) is Chekhov’s arsenal. It’s frankly staggering how such a multitude of bits of back story and character development are shown but then never utilised again.
evil schemes so laughably ineffective that all they achieved were minor property damage
Daughter of Avalon? Nope. Silvia and Ash’s history together? Nope. Arranged marriage? Nope. Morally ambiguous teacher? Nope. The list goes on and on until by the end you could make a doily out of all of the plot threads that are left hanging. What you do get in Dragonar then is a whole lot of things you’ve seen before but forced together like ill fitting jigsaw pieces. You’ve got the precocious and pink-haired loli from Zero no Tsukaima, the improbable harem of Infinite Stratos and the throw-away fantasy leanings of too many series to name.
How do you make a series laden with references to violence, sex and bodily excretions starring two thoroughly unpleasant women entertaining? If Panty & Stocking with Garterbelt is any indication, you give it to GAINAX. Suffering the same initial incredulity as Lucky Star's promotional material had when it was first revealed, the series is a riot of aggressive stylisation, wildly varying animation and a barrage of provocative jokes. Puritans will denounce its cavalier depiction of fornication, the no-holds-barred treatment of various human fluids or the utter crudity of it, but in only three episodes there has been nary a repeated scene or situation. But most of all: it's just plain fun.
Splitting the running time into two separate segments, two story of angels sent from heaven to defeat marauding ghosts is only background noise to the bickering and bedlam the two sisters get up to. The pace at which each story moves is astounding with some beginning right in the thick of the action and only coming up for air when the credits hit. There is no character development here, each one wears their personality - foibles and all - on their sleeve and instead of being hindrances, end up as ammunition for the bedlam that every episode entails.
