I didn’t even really consider that “dormitory comedy” was an actual sub-genre until I drew a line connecting Love Hina, Sakurasou no Pet na Kanojo and now, Bokura wa Minna Kawaisou (We are all from Dormitory Kawai / The Kawai Complex guide to Manors and Hostel Behaviour). In theory I suppose you could include less noteworthy series such as Sekirei but that firmly placed itself on the “harem” side of things which I guess Love Hina occupies as well.. But that would mess up a perfectly good grouping of decent comedies set in dormitories.
bibliophile and perennial winner of “Most Sparkling Eyes”
Despite its reverence towards introversion, Kawaisou is definitely a comedy as if the swathes of stylised on-screen text and exaggerated expressions didn’t already give it away. The benefit of being set in a dormitory, and not just one for school children, is that it smooshes together a lot of different characters who wouldn’t otherwise associate. It’s the inverse of the “box of scorpions” setup that horror movies use to manufacture drama and mystery; with comedies though, as long as you get the mix of personalities right, comedy will just fall out of it.
“A four episode taste test? And for a last season series? I haven't been this disappointed in you since that lazy two episode taste test for Katanagatari! UNFOLLOWED.” It breaks the mould yes but not without some cajoling. In reality though this is a traditional three episode taste test because the first episode is diametrically different, to the point that it feels like its from a different series, to the subsequent three.
a fearless exploration of what it's like to be just ordinary when surrounded by brilliance
Raucous, racy and disappointingly trashy, the first episode of Sakurasou no Pet no Kanojo (The Pet Girl of Sakura Dormitory) will likely affirm any preconceived ideas you had about a series about an autistic girl and the word “pet” in the title. You'd nod sagely and stroke your beard, perhaps letting out a disparaging “Oh Japan”. But then the next episode is surprisingly affecting. It's still got a perpetual do-gooder as a protagonist (“He rescues cats! Awww”) but behind the shiny pastel coating is a rare and deft touch.
