K-On!! is not the harbinger of doom that so many make it out to be. For a show about the twee shenanigans of five high school girls and their band, it certainly is divisive. The first three episodes of the second series however do not highlight why; sure the opening sounds like it was dragged from the circle of hell reserved for naughty bagpipes and a lot of the animation work is demonstrative of a company with enough cash to be extravagant, but it's the fervour of the audience on both sides that likely bifurcates one's opinion more than anything. Despite the nagging question of its purpose, the series' the opening episodes prove an entertaining, sporadically cringe inducing saunter through a world without raunchiness, without violence but with plenty of sunshine and smiles.
the series is diverting attention to other members before the cash cow is unceremoniously milked
Picking up where the first season left off, the majority of the girls in the Light Music Club have now entered their final year of high-school and are dealing with the trials of schoolwork and attempting the get their band, Afternoon Tea Time, off the ground. The first piece of trouble comes from the realisation that after the end of the year, only Azusa will be left - a mad and ultimately fruitless scramble for new members ensues. The cleaning out of the music room cupboard reveals a hidden treasure in the form of their homeroom teacher's guitar. Lastly, peppy drummer Ritsu has a rare crisis regarding her instrument choice, saying that her position at the back of the band keeps her from the spotlight. Her trial run of different instruments ends much as Mio predicted, but does lead to a new song from keyboardist Tsumugi.
The first season of Queen's Blade was underwhelming, beyond the initial deviance on display it went only slightly further than many of the other fighting-fanservice genre shows and exploited none of the opportunities a guaranteed late night, paid channel slot offers. Season two does nothing to change this status quo and, if anything, regresses by reducing the rampant titillation and dialling up the poorly choreographed fights. It still exists in the penumbra between unabashed pornography and cheeky teenage lasciviousness but whereas its forebear had a streak of deviance, there is a laughable attempt at characterisation which transforms the plot from background noise to utter drivel. Scant recommendations can be made when the series wholly fails to elicit any response, emotional or lustful, other than pitying indifference.
the disrobing becomes an afterthought to dead-pan serious problems
At the end of the last season Reina had made her way to Gainos and - after a brief scuffle with an avatar of the oft alluded Swamp Witch - the current reigning champion of Queen's Blade, Aldra announced that the Queen's Blade tournament could now begin. All of the previously introduced combatants take part for reasons best ignored lest they crumble under scrutiny, and after the more insipid ones are knocked out, the protagonists Reina and Tomoe once again take centre stage. With nefarious whimsy Aldra pits friend against friend and master against pupil, however it becomes increasingly apparent she has an ulterior motive to the battles and that her power to petrify the living is not borne from human magicks. As the contestants are whittled down, deaths follow and harsh realities are brought into acute focus leaving all but the most stalwart able to survive.
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