A review of Zankyou no Terror
It would be false to say that there are mainstream and niche anime series when anime as a medium is niche, its audience perhaps even more so. Beyond the One Piece’s, with their absurd viewership, there is a definite split between the popular, attention grabbing series - the Code Geass’, the Sword Art Online’s - and the smaller, less broadly approachable ones. Zankyou no Terror (Terror in Resonance, Terror in Tokyo) is firmly the latter, but starts out as the former.
teenage savants, using technology to outwit and outmaneuver the police
With the bombing of the iconic Tokyo Metropolitan Government Building the first episode builds sublime tension while simultaneously introducing the principal cast members; and for the next few episodes at least, the series pitches itself as a cat-and-mouse style detective thriller, with adolescent terrorists Nine and Twelve goading the police while destroying key locations within Tokyo. Kenjirou Shibazaki, a hard-boiled but relegated detective, meanwhile might just be smart enough to catch them. What doesn’t become apparent until much later is that this structure, “catch us if you can”, is not even close to what Zankyou no Terror is about.
Please note: the remainder of this review contains spoilers for the entirety of the Zankyou no Terror series.
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Ninety seconds. Just under 2,200 frames. That’s how long the majority of anime openings have to stick in the mind, set the scene and contribute to the microcosm that history has created for them. Right back to what some would consider the dawn of modern anime with Astro Boy in the 1960’s, the prototype for modern anime openings was there, continuing through the seventies and eighties through to recent history of the nineties and 2000+.
setting the tone for bombastic score of the series itself
By now you’ve mostly likely seen the “Every Anime Opening Ever Made” video which cycles through a lot of the tropes and visual motifs that are (over)used, set to remixed trance music. Like a lot of pithy satire its humour and truth doesn’t hold up to scrutiny and even a limited exploration of openings from any time period would highlight how wrong it is. That wasn’t what got me thinking about anime openings though but an offshoot when musing on the slow burning RahXephon one. Originally this was going to be a dissection of the hidden meanings in the visuals and mentioning other similar openings. Then I got lost in a endless loop of watching an opening, then remembering just one more and before I knew it I was attempting to sort the openings I had seen into some kind of system.
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