After three episodes of Shingeki no Bahamut: Genesis (Rage of Bahamut: Genesis), I still wasn’t sure what I was watching. There’s nothing particularly abstract (yes Soultaker I’m talking about you) about the story of two feuding friends going on adventures with a girl from another world. Except, in the first few episodes there are so many different ways the series could have gone - monster of the week, Queen’s Blade journey into fan service, Escaflowne adventures in a fantasy world to name a few - but it seems bullheadedly determined not to go with any of them and instead play the whole series by ear.

Peculiarly, it works. And not just because it throws everything, kitchen sink and all, at you and to see what sticks. After all you have an Arabian deity (Bahamut) mixed in with Christian mythology (heaven, hell, angels and devils) with some added Norse flavouring (the heavenly god is in fact Zeus), some Pagan witchcraft and wizardry and some historical persons of note thrown in for good measure. Like the origin of the dragon personification of Bahamut then, Shingeki no Bahamut is a Dungeons and Dragons campaign in anime form. It has the overeager dungeon master cobbling together a piecemeal mythology with narrative abandon, the rollicking tales of a knight, a rogue and someone who wanted to play a female, and by the end of the campaign the adventurers are riding into battle on the back of a giant duck.

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First released: October 2012
Version reviewed: TV

Invoking Shakespeare in your story is risky business because like one comedian making reference to another, it invites comparison. And being compared to the stories of whom many would consider is one of the greatest writers ever is not a battle many writers are up for. This is true from a predominantly Western context, but from an Eastern point of view? A Japanese point of view? Shakespeare perhaps doesn’t hold the same reverence having not cast a shadow over several hundred years of literature.

This is all academic really because regardless of its overtures towards Shakespeare, Zetsuen no Tempest: The Civilization Blaster (Blast of Tempest) is below par. It starts out intriguingly enough with the awakening of something grand and unknowable leading to the quiet annihilation of an entire town. Only Mahiro survives thanks to his estranged friend Yoshino and a voice from afar, Hakaze. From there the trio must evade the attention of the Kusaribe clan and try and stop the awakening of an even greater power which threatens the world.

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