High School of the Dead recently began airing and has brought the irrepressible zombie to a media which has peculiarly ignored their archetypes in favour of more culturally relevant afflictions such as demonic possession and the like. Based on the manga of the same name, in only two episodes the series has shown a remarkably sympathetic hand for including genre sensitive elements - is that the signature tune for 28 Days Later at the end of the first episode?

Widely credited with the creation of the zombie movie genre, George A. Romero's Dawn of the Dead is one of his earliest and most widely known movies and champions a lot of the situations and scenarios that High School of the Dead apes. More interestingly though, Dawn of the Dead and its mall setting is a scathing commentary on the decadent consumerism and hedonism of the period which is still just as relevant today. Like the best fantasy and sci-fi its fiction was a critique of society and culture, a relevance which very few zombie movies have managed to achieve since.

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Mission ten: A Dance with the Devil. The second mission set in Las Vegas although they don't tell you this, it could be in any part of America. The playing field is a building currently hosting a "Heaven and Hell" party split into requisite areas (penthouse and basement) with an expansive parking lot (purgatory?) in between. Two mission targets, a CIA agent (Anthony Martinez) playing both sides and Vaana Ketlyn; during the mission you'll also meet two other assassins: Maynard John who challenges you to a contrived duel, and "Eve" who takes time out of butchering a song to try and seduce 47.

Hitman Blood Money is classified as "18" in the UK and "Mature" in the US which means that it is unsuitable for minors; fairly warned be thee.

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