A review of the first Sidonia no Kishi anime series
The first trailer that I saw for Sidonia no Kishi (Knights of Sidonia) was linked to by someone who was obviously very excited at the prospect of the series. For me, the trailer produced only indifference: giant robots, monsters, space; I’ve seen all of this before. Even the post-broadcast Netflix announcement trailer wouldn’t have convinced me, and I only saw that having watched the whole series. The core issue being that robots fighting in space is an easy sell but it’s not what makes Sidonia a special series. You can’t tout super-massive architecture, questioning the nature of humanity or glorious science-fiction as selling points in a minute and thirty seconds.
what humanity was before has ceded to pragmatism and necessity, to survive it must change and adapt
Many people have categorised the series as “hard” science-fiction which seems like a misuse of the term. Sidonia is very rich, but its use of laborious and detailed scientific explanations is extremely limited and most of the time non-existent - this isn’t Banner of the Stars. This is about a gargantuan colony “seed” ship, the titular Sidonia, floating through the cosmos defending itself against grotesque aggressors, the Gauna.
A review of the A Certain Scientific Railgun S anime
First released: April 2013 Version reviewed: TV
For a series set in a near-future, science-driven city, the second season of A Certain Scientific Railgun (now with the “S” suffix) certainly paints a dim view of science and scientists. All of them barring the “good” one are shown as bespectacled loons with no regard for human life and a casual relationship with morals.
Academy City is lovingly rendered and plays host to the ongoing adventures of Mikasa Mikoto - the titular “railgun” - and her cohorts. Split roughly into two interlocking stories, the plot follows an experiment to advance a top level esper - those with varying X-Men like super powers - beyond anything seen before, and a spurned scientist’s attempts to demonstrate that even with their powers, espers are just as powerless as those without.
Steins;Gate is a story of a broken, haunted man. It's not about time-travel as any summary of the plot would imply, that's just a vehicle for asking the question at its heart: how far would you go to save the ones you love? This isn't some tag-line stolen from the latest silver-screen offering from Hollywood but a measure of what is perhaps one of the most potently affecting and consistently brilliant series of recent memory.
he alone understands what transpired while everyone else is left only with echoes and phantoms
Eleven episodes in and you may be unconvinced as events have progressed in a solid if humdrum fashion. Lanky protagonist Rintarou is at first intensely difficult to like with his moronic fixation on being a "mad scientist" and frequent soliloquies about a shadowy "Organisation" stalking him from the shadows. Megalomania, check. But as he begins to gather females ("lab assistants") quicker than a trainer does Pokemon the banter between him, teen prodigy Makise, eternal do-gooder Mayuri and rotund hacker Taru begins to take on an endearing, familial tone.
I mentioned in my review of Darker than Black that it's a series which is as complicated and metaphorical as you wish it to be really and given the ending which seemed to finish the series without completing it, there's plenty of tid-bits to sift through and question. It was made clear that another episode of the series, number twenty six, would be released on DVD, however word is that this is a side-story rather than the much anticipated explanation so many desire.