It’s only recently that I’ve started to believe that “cour” is in fact a word and not just a misspelling of “cur” (as in “that cur of a cour”). As it’s entered into the lexicon of anime over the past couple of years (AnimeNano puts its first use in English around 2011) it has become an easy shorthand for how long an anime series will run for. That word “series” ends up being problematic because - for me at least - it can now mean a whole multitude of things, thanks primarily to the introduction of “split cours”.
oh good another princess and the resurrection of characters who should be dead
As Wikipedia informs me, referring to a television broadcast (internet streaming simulcast etc.) as a “series” is a chiefly British use of the term, and in North America the more common term is “season”. “Season” works better when referring to something like anime because apart from a select few (One Piece et. al.), they can be measured in seasons i.e. winter, summer etc. and substituting “season” for “cour” isn’t exactly complex. However, semantically a problem arises when, as is becoming increasingly common, an anime runs for one season, lies fallow, and then finishes in another. The split cour.
It’s relatively common knowledge that the second season of Birdy the Mighty: Decode is better than the first. When I’d finished the first season I found that claim odd because although I echoed the sentiment of many people that it was good but not outstanding, I wondered how the second season could improve on the formula.
sees Birdy fight in a ruined city, bursting through crumbling buildings and trickling water mains with destructive abandon
Boy meets girl, boy ends up cohabiting girl’s body. It certainly feels familiar in the same way that any gender-bending situation is - Kokoro Connect, Ranma ½, Kämpfer et. al. - but here there is the quirk of the girl being an absurdly strong intergalactic investigator on the hunt for dangerous criminals on the “backwater” planet Earth. I thought I knew what to expect from that sort of introduction which perhaps explains why I stopped watching it when it first aired in 2008. It’s fair to say then that my expectations were challenged in the first season, then totally surpassed by the second.
The formula is all too familar: alien lands on earth, befriends local youth and romantic hijinks ensue. The opening episodes of Asobi ni iku yo! do nothing to tweak this formula beyond adding cat-ears and a tail to the buxom interplanetary interloper. The recent Ano Natsu de Materu at least kept things clean, here the feline Eris is disrobed and in the protagonist's bed within minutes. Seconds later and the domineering childhood friend arrives (how inconvenient!) and the quiet and traditional Japanese beauty follows shortly afterwards.
Those who, somewhat rightly, switch off after those episodes though would be missing what turns out to be a surprisingly entertaining romp through science fiction of old and a locale less travelled: Okinawa.